Reflections on reflections
A lot of our work in The Neighbourhood involves an acute eye and attention to detail.
Lately, Jon Hey’s been standing outside shops with large floor to ceiling windows, manoeuvering himself and trying to pinpoint a viewing angle that gives equal visual weight to both the reflection in the glass and the view inside the shop.
Trying to see both this combined reflection and the view beyond in an instant is not that easy, because there are different focus points.
He tried this for 3 reasons.
Firstly, he’s inspired by Richard Estes - a 'photo-realist' artist whose work demonstrates the artful balancing of both reflection and transparency within a single composition.
Secondly, he’s always had a fascination and a frustration with trying to represent glass in architectural renderings. More often than not there's a requirement to show glass with maximum transparency to allow greater emphasis to the view beyond. The general perception is reflections are distracting and unnecessary, but instead they can tell so much more about the architecture and it's environment.
And thirdly, because that’s the kind of meticulous pursuit that sums up how we do things round here!
